Happy Story about Street Art : El Marto at Ouagadougou

El Marto, street French-burkinabese artist living in Ouagadougou, Burkina Faso, tells us here his Happy Story of the conversion of one of his murals into another one following some neighbourhood controversies.

You are a street artist. You have worked on a similar positive experience. We would like to share your story.

DRIP'IN is inspired by the story of Maser in Vietnam

A mural in tribute to “living together”

El Marto has been colouring the walls of Burkina Faso for many years. Depicting everyday scenes and advocating the coming together of peoples, El Marto marks his commitment through his murals.

In 2018, he created a scene on a wall showing different people of different nationalities pounding together. This painting, entitled ‘Tous au pilon’, is an ode to multiculturalism and living together.

With this painting, the artist El Marto invites the people of Burkina Faso as well as those of the whole world to work collectively for the sake of all.

The four characters symbolize the diversity of peoples and cultures, such as the Tuareg represented in his traditional outfit with turban.

DRIP'IN is inspired by El Marto's murals at Ouagadougou

When street at makes the people react

As time went by, the owner of the wall, a friend of the artist, asked him about the growing number of complaints from the neighbourhood. Indeed, people in the district were protesting against what they thought was the representation of “a jihadist” within the figures pounding together.

Despite all the exchanges and discussions to explain the authenticity of his approach, El Marto is faced with this unwanted amalgam. Not wanting to create more controversy, El Marto prefers to comply with his friend’s request to cover the wall.

DRIP'IN is inspired by El Marto's murals at Ouagadougou

Rare rework experience

As El Marto points out, it is not often that a play is revived. Especially when it was not intended to divide but to unite.

In fact, for this conversion, El Marto did not simply want to cover up his old work; as a committed artist, he sought to convey another message, to give meaning to this new mural.

This was done in March 2020, with a mural entitled « Crie baby crie ».

Through this work, the artist wished to show that all voices count, especially those of women in such a masculine world.

Mural at Burkina Faso by street artist El Marto

DRIP’IN is committed to the “happiest” stories.”

DRIP’IN is committed to publishing the “Happy Story” of each artist, the 3 most positive stories being determined by their number of favourites.
The winner will receive a free steel lithograph free of charge of his work, and the 2 following winners will receive a free museum-quality giclée print of their work.

Share with us your "Happy Story"

1 + 10 =

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

+ articles

GRAFFITI

GRAFFITI

Graffiti has always been a part of man, no matter where these traces of man for man originate.

Graffiti origins

Graffiti have been part of urban culture since ancient times. While some consider cave paintings or cave art as the first graffiti in history, it seems more appropriate to consider the many examples dating from Ancient Greece or the Roman Empire as historical evidence of graffiti.

Art and decoration

What place for art in decoration? What legitimacy can decoration have within artistic movements?